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(idm) For Sale page

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1997-10-09 00:07The Cosmic Crofter (idm) For Sale page
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1997-10-09 00:07The Cosmic CrofterThe For Sale / Wanted page is now online at EHX (sorry for the wait). Check out the link b
From:
The Cosmic Crofter
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,
Date:
Thu, 9 Oct 1997 00:07:36 +0000
Subject:
(idm) For Sale page
permalink · <199710082306.AAA19009@handel.ednet.co.uk>
The For Sale / Wanted page is now online at EHX (sorry for the wait). Check out the link below and please read the guidelines on the submission page, suffice to say this service is for bona fide private advertisers only, no mass selling allowed. CC. --------------------------------------------- The Cosmic Crofter crofter@ehx.ednet.co.uk EHX, Electronic Audio Artform in The Capital Clubs - Labels - Studios - Radio - Artists Charts - Reviews - Interviews - DJs - Links http://www.ednet.co.uk/~ehx --------------------------------------------- Received: (qmail 18015 invoked by uid 6000); 9 Oct 1997 11:32:17 -0000 Received: (qmail 17848 invoked from network); 9 Oct 1997 11:32:12 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 11:32:12 -0000 Received: from onyx.southwind.net (root@onyx.southwind.net [206.53.103.2]) by zab.covalent.net (8.8.7/8.8.5) with ESMTP id FAA08306 for <idm@hyperreal.org>; Thu, 9 Oct 1997 05:43:04 -0500 (CDT) Received: from lizard (ict6.southwind.net [206.53.100.6]) by onyx.southwind.net (8.8.6/8.8.6) with SMTP id FAA23132 for <idm@hyperreal.org>; Thu, 9 Oct 1997 05:42:55 -0500 (CDT) Message-Id: <3.0.1.16.19971009054151.2bbf3e64@southwind.net> X-Sender: markw@southwind.net X-Mailer: Windows Eudora Light Version 3.0.1 (16) Date: Thu, 09 Oct 1997 05:41:51 To: idm@hyperreal.org From: mark weddle <markw@southwind.net> Subject: Re: (idm) Re: nothing acquires warp stuff In-Reply-To: <19971009.221619.10518.16.grav@juno.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Sender: idm-owner@hyperreal.org Precedence: bulk At 09:30 PM 10/9/97 -0400, chris r graves wrote:
quoted 6 lines last week, trent reznor stopped by a metairie, la music store where my>>last week, trent reznor stopped by a metairie, la music store where my >>good pal earl works. he confirmed that he has picked up the us rights >>for _chiastic slide_ and _hard normal daddy_. > >when i told a friend this, he said: >"we have to make a list of people to kill."
And who would be on that list? People who are ignorant enough to let the label bother them? Yeah, it sucks getting these domestically at reasonable prices ... mark Received: (qmail 6843 invoked by uid 6000); 9 Oct 1997 11:34:40 -0000 Received: (qmail 19024 invoked from network); 9 Oct 1997 11:32:40 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 11:32:40 -0000 Received: from tin.it (box1.tin.it [195.31.190.111]) by zab.covalent.net (8.8.7/8.8.5) with ESMTP id FAA07220 for <idm@hyperreal.org>; Thu, 9 Oct 1997 05:02:33 -0500 (CDT) Message-Id: <199710091002.FAA07220@zab.covalent.net> Received: from djbatman (Pescara5-60.tin.it) by mbox.vol.it with SMTP (1.39.111.2/16.2) id AA280751361; Thu, 9 Oct 1997 12:02:41 +0200 Date: Thu, 9 Oct 1997 12:02:41 +0200 X-Sender: djbatman@mbox.vol.it X-Mailer: Windows Eudora Pro Version 2.1.2 Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: idm@hyperreal.org From: Nicola Battista <djbatman@tin.it> Subject: Re: (idm) Re: nothing acquires warp stuff Sender: idm-owner@hyperreal.org Precedence: bulk At 21.30 09/10/97 -0400, you wrote:
quoted 3 lines last week, trent reznor stopped by a metairie, la music store where my>>last week, trent reznor stopped by a metairie, la music store where my >>good pal earl works. he confirmed that he has picked up the us rights >>for _chiastic slide_ and _hard normal daddy_.
hmmm who wrote the original msg? I subscribed a few days ago and I dont have this bit. Hey ya out there -- the person who posted this msg... can U contact me privately -before someone kills me for mentioning NiN in here? (thanks) :))))))))))) bye, Nicola (Dj Batman) Battista *1997 Now!* ...'nuff said!! 8) Modra Stjerne Homepage http://www.metro.it/nezmar/modrastjerne/ Received: (qmail 7093 invoked by uid 6000); 9 Oct 1997 11:35:00 -0000 Received: (qmail 29860 invoked from network); 9 Oct 1997 11:33:49 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 11:33:49 -0000 Received: from relay01.iafrica.com (relay01.iafrica.com [196.7.0.160]) by zab.covalent.net (8.8.7/8.8.5) with SMTP id EAA07157 for <idm@hyperreal.org>; Thu, 9 Oct 1997 04:56:46 -0500 (CDT) Received: from 196-31-83-154.iafrica.com [196.31.83.154] by relay01.iafrica.com with smtp (Exim 1.59 #1) id 0xJFJn-0003uj-00; Thu, 9 Oct 1997 11:55:44 +0200 Comments: Authenticated sender is <tullym@ctpop01.iafrica.com> From: "Irene McC" <tullym@iafrica.com> Organization: internet africa To: idm@hyperreal.org Date: Thu, 9 Oct 1997 12:04:03 +0200 Subject: (idm) exhibits hidden track ? Reply-to: substar@iafrica.com X-mailer: Pegasus Mail for Windows (v2.50) Message-Id: <E0xJFJn-0003uj-00@relay01.iafrica.com> Sender: idm-owner@hyperreal.org Precedence: bulk The Art of Dance : Exhibits (distance) lists 11 tracks but there's an unnamed 12th. Anybody know what this is? Thanks. I * Received: (qmail 24002 invoked by uid 6000); 9 Oct 1997 12:31:50 -0000 Received: (qmail 23972 invoked from network); 9 Oct 1997 12:31:46 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 12:31:46 -0000 Received: from svr-a-03.core.theplanet.net (svr-a-03.core.theplanet.net [194.152.64.45]) by zab.covalent.net (8.8.7/8.8.5) with SMTP id GAA10863 for <idm@hyperreal.org>; Thu, 9 Oct 1997 06:44:26 -0500 (CDT) Received: from default [194.152.71.15] by svr-a-03.core.theplanet.net with smtp (Exim 1.73 #1) id 0xJH0n-0004aO-00; Thu, 9 Oct 1997 12:44:13 +0100 Message-ID: <343BF15C.5F79@lwtcdi.prestel.co.uk> Date: Wed, 08 Oct 1997 21:47:25 +0100 From: lwtcdi <graham@lwtcdi.prestel.co.uk> Reply-To: lwtcdi@lwtcdi.prestel.co.uk Organization: LWTCDi X-Mailer: Mozilla 3.01 (Win95; I) MIME-Version: 1.0 To: IDM <idm@hyperreal.org> CC: Eric Frans <franse@engr.arizona.edu> Subject: (idm) Skam-uh Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 1 line } np: The Fall - Perverted By Language> } np: The Fall - Perverted By Language
quoted 2 lines This reminds me... Is The Fall going to create more tracks like> This reminds me... Is The Fall going to create more tracks like > the cut on the 0161 comp.?
Which track on the 0161 comp. I'm getting confused now. Are both Skampler and 0161 Skam compilations or am I going crazy? Gb. Received: (qmail 24319 invoked by uid 6000); 9 Oct 1997 12:32:04 -0000 Received: (qmail 24100 invoked from network); 9 Oct 1997 12:31:52 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 12:31:52 -0000 Received: from polaris.pacificnet.net (polaris.pacificnet.net [207.171.0.250]) by zab.covalent.net (8.8.7/8.8.5) with ESMTP id HAA11671 for <idm@hyperreal.org>; Thu, 9 Oct 1997 07:00:31 -0500 (CDT) Received: from [207.171.35.74] (pm3g-25.pacificnet.net [207.171.35.74]) by polaris.pacificnet.net (8.8.5/8.8.5) with ESMTP id FAA07833; Thu, 9 Oct 1997 05:00:03 -0700 (PDT) env-from (stimuli@pacificnet.net) Message-Id: <v03102804b06285a8f19d@[207.171.35.74]> In-Reply-To: <3.0.1.16.19971009054151.2bbf3e64@southwind.net> References: <19971009.221619.10518.16.grav@juno.com> Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Date: Thu, 9 Oct 1997 05:00:39 -0800 To: mark weddle <markw@southwind.net> From: tom allain <stimuli@pacificnet.net> Subject: Re: (idm) Re: nothing acquires warp stuff Cc: idm@hyperreal.org Sender: idm-owner@hyperreal.org Precedence: bulk At 5:41 AM -0800 10/9/97, mark weddle wrote:
quoted 15 lines At 09:30 PM 10/9/97 -0400, chris r graves wrote:>At 09:30 PM 10/9/97 -0400, chris r graves wrote: >>>last week, trent reznor stopped by a metairie, la music store where my >>>good pal earl works. he confirmed that he has picked up the us rights >>>for _chiastic slide_ and _hard normal daddy_. >> >>when i told a friend this, he said: >>"we have to make a list of people to kill." > > >And who would be on that list? People who are ignorant >enough to let the label bother them? Yeah, it sucks >getting these domestically at reasonable prices ... > > >mark
he could have exhibited worse taste... no complaint here, but admittedly a smirk. =F8 np: 4 computer fans, complete with surface noise =2Esig Received: (qmail 24725 invoked by uid 6000); 9 Oct 1997 12:32:22 -0000 Received: (qmail 24674 invoked from network); 9 Oct 1997 12:32:19 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 12:32:19 -0000 Received: from svr-a-03.core.theplanet.net (svr-a-03.core.theplanet.net [194.152.64.45]) by zab.covalent.net (8.8.7/8.8.5) with SMTP id GAA10856 for <idm@hyperreal.org>; Thu, 9 Oct 1997 06:44:19 -0500 (CDT) Received: from default [194.152.71.15] by svr-a-03.core.theplanet.net with smtp (Exim 1.73 #1) id 0xJH0p-0004ac-00; Thu, 9 Oct 1997 12:44:17 +0100 Message-ID: <343BF407.AD5@lwtcdi.prestel.co.uk> Date: Wed, 08 Oct 1997 21:58:47 +0100 From: lwtcdi <graham@lwtcdi.prestel.co.uk> Reply-To: lwtcdi@lwtcdi.prestel.co.uk Organization: LWTCDi X-Mailer: Mozilla 3.01 (Win95; I) MIME-Version: 1.0 To: IDM <idm@hyperreal.org> CC: Irene McC <tullym@iafrica.com> Subject: (idm) Grandpapa Plug Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk On 8 Oct 97, Chip wrote: Re: (idm) Papa Plug:
quoted 1 line does anyone else agree?>> does anyone else agree?
quoted 2 lines Yes - and you're a brave soul to have "outed" this publicly, coz it>Yes - and you're a brave soul to have "outed" this publicly, coz it >would appear the thing's regarded as a solid nugget.....
quoted 2 lines Best thing to do is to take off a track or two and put them onto a>Best thing to do is to take off a track or two and put them onto a >mixed taped, then you don't get the overkill effect.
I've only got this 'overkill effect' after hearing the album many many many times, but I agree that most of the tracks on here work well in the mix tape format. I love mixing this stuff up with the more po-faced d'n'b stuff, it's good to deflate the 'serious junglist' balloon occasionally. The earlier Plug stuff doesn't suit this mix and match approach as well, because it's more 'all over the place', but Papa is great for this, especially Feelings, the title track, and Dbc.
quoted 4 lines I generally>I generally >combine a whole variety of sounds over a 90 minute cassette and >bliss out with my personal favourites either in the car or on >headphones.
Couldn't agree more. No album is untouchable. I've even attempted welding bits of the Richard D James album into sets. Milkman is also a good laugh to stuff on d'n'b tapes.
quoted 1 line Great fun!>Great fun!
Great fun to listen to, great fun to make (although occasionally frustrating).
quoted 1 line But then, that's just me - others regard this practice as sacrilege.>But then, that's just me - others regard this practice as sacrilege.
Nah, not me. Music is there to be messed with and used for your own devices. People who think this should bear in mind that albums such as Papa are composed mostly of samples from other peoples music anyway. As for comments about the Nicolette album, I quite like the Plaid tracks. Certainly not their best, but quite different to most of their other IDM techno styled stuff. I agree with the recent comments that the album is uneven, and I don't listen to it much all the way through, but I think the Plaid tracks are certainly more interesting than the Alec Empire ones, which are (as you would expect) a bit grating and too typical of other (better) stuff I've heard of his. Gb. Received: (qmail 25348 invoked by uid 6000); 9 Oct 1997 12:32:55 -0000 Received: (qmail 25305 invoked from network); 9 Oct 1997 12:32:53 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 12:32:53 -0000 Received: from svr-a-03.core.theplanet.net (svr-a-03.core.theplanet.net [194.152.64.45]) by zab.covalent.net (8.8.7/8.8.5) with SMTP id GAA10858 for <idm@hyperreal.org>; Thu, 9 Oct 1997 06:44:22 -0500 (CDT) Received: from default [194.152.71.15] by svr-a-03.core.theplanet.net with smtp (Exim 1.73 #1) id 0xJH0t-0004al-00; Thu, 9 Oct 1997 12:44:20 +0100 Message-ID: <343BF40C.5B38@lwtcdi.prestel.co.uk> Date: Wed, 08 Oct 1997 21:58:53 +0100 From: lwtcdi <graham@lwtcdi.prestel.co.uk> Reply-To: lwtcdi@lwtcdi.prestel.co.uk Organization: LWTCDi X-Mailer: Mozilla 3.01 (Win95; I) MIME-Version: 1.0 To: IDM <idm@hyperreal.org> CC: Chip <arlucas@hotmail.com> Subject: (idm) Re: Papa Plug Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 1 line If you haven't heard it already, run out and buy the Plug album now ->>If you haven't heard it already, run out and buy the Plug album now -
I'd say it's
quoted 3 lines one of the few "must-have" releases in the IDM genre. Classic shit.>>one of the few "must-have" releases in the IDM genre. Classic shit. >> >>GD
quoted 2 lines hmm... i like it and all, but it's just *too* long. eighty minutes is a>hmm... i like it and all, but it's just *too* long. eighty minutes is a >long time for ten faster-paced songs.
Not really - it just depends how good and varied the tracks are. I agree with the above comments about it being a must have. All the tracks are classics.
quoted 3 lines he could have easily chopped 15>he could have easily chopped 15 >minutes off the album, and i think it would have made the whole thing a >lot more listenable.
Which tracks then? The only one I'd even consider cutting off is the last one, 'Maker of All' because it's a little out of place. But it still makes a great bookend to a great album.
quoted 6 lines it's just too long to keep you on the edge of your>it's just too long to keep you on the edge of your >seat. even life of the mind ends up being too long and repetitive. right >through the sample from whatever that is (someone talked about it once, >but i forget now), it's really killer, but then it goes into the little >repeated horn part over and over and over and over and... i dunno, it >just feels like time for time's sake.
It's called groove. This LP has the funk. That's what the Plug LP and most (decent) d'n'b is about. And as for that horn part - I love it - it always makes me smile when it comes in after all that darker stuff.
quoted 3 lines i remember being upset when i heard that the RDJ album was only going to>i remember being upset when i heard that the RDJ album was only going to >be 33 minutes long. that album sounds more complete to me in less than >half the time then dn'b for papa does in almost an hour and a half.
I think both are equally complete and are probably the two best LPs releases of last year (along with Red Snapper). Even RDJ loses it a bit with the last track Logon Rock Witch.
quoted 2 lines so, all in all, i like it, but if i had to do it over again, i most>so, all in all, i like it, but if i had to do it over again, i most >likely would have bought something else.
Shame on you. Each to their own I suppose. Just out of interest, what did you think of Throbbing Pouch? And the other Vibert stuff out of interest (Big Soup/Weirs and the like).
quoted 2 lines not a classic to these ears.>not a classic to these ears. >does anyone else agree?
Nope, sorry. It took me until Drum and Bass For Papa to properly get into the Plug stuff. I had Plug 2, but didn't think it lived up to the praise it got at the time. In the end I had to go out of town to get the album (it wasn't that readily available on first release, as I seem to recall - not like now when there's four different copies floating around), and nearly didn't bother. Needless to say, I'm extremely glad I did. And Plug 2 made lots more sense after the LP, as well. Not too keen on the Cut and Subtle remixes through. Viberts remixes seem to have been a bit dodgy of late. As for the comments made on this list regarding the Jacobs Optical Stairway LP, I think it makes a lot more sense now (at least to me) than it did when it first came out. It's not harsh, and the breaks arn't raw, but as a listening d'n'b LP with its own flavour I think it works really well. It has elements of funk, soul and Detroit techno, but pastiches none of them. A highly commendable effort considering that still only a handful of great d'n'b LPs have been released. I take it those of you who disliked this will hate the new Loveless track and their Nu Yorican Soul remix even more. I think they're both great... Gb. Received: (qmail 27228 invoked by uid 6000); 9 Oct 1997 12:34:59 -0000 Received: (qmail 27174 invoked from network); 9 Oct 1997 12:34:54 -0000 Received: from zab.covalent.net (208.214.56.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 12:34:54 -0000 Received: from typhoon.dstc.qut.edu.au (root@typhoon.dstc.qut.edu.au [131.181.71.2]) by zab.covalent.net (8.8.7/8.8.5) with ESMTP id DAA02661 for <idm@hyperreal.org>; Thu, 9 Oct 1997 03:10:23 -0500 (CDT) Received: from duffbeer (duffbeer.dstc.qut.edu.au [131.181.71.69]) by typhoon.dstc.qut.edu.au (8.8.5/8.8.5) with SMTP id SAA24642 for <idm@hyperreal.org>; Thu, 9 Oct 1997 18:10:12 +1000 (EST) Message-Id: <3.0.3.32.19971009181048.00959840@typhoon.dstc.qut.edu.au> X-Sender: elgey@typhoon.dstc.qut.edu.au X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.3 (32) Date: Thu, 09 Oct 1997 18:10:48 +1000 To: idm@hyperreal.org From: Geoffrey Elgey <elgey@fit.qut.edu.au> Subject: (idm) Spooky + Billy? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Sender: idm-owner@hyperreal.org Precedence: bulk G'day, I saw a single at the shop yesterday - Spooky + Billy Ray Martin (sp?) - I think it was called "Persuasion". Is this the same Spooky as in "Found Sound", "Stereo", etc? I was in a bit of a rush, so I couldn't check it out much...is it worth picking up? Cheers, Geoff Received: (qmail 7493 invoked by uid 6000); 9 Oct 1997 13:15:38 -0000 Received: (qmail 7478 invoked from network); 9 Oct 1997 13:15:36 -0000 Received: from smtp.interlog.com (root@198.53.145.6) by taz.hyperreal.org with SMTP; 9 Oct 1997 13:15:36 -0000 Received: from shell1.interlog.com (stained@shell1.interlog.com [207.34.202.8]) by smtp.interlog.com (8.8.3/8.7.6) with ESMTP id JAA21038 for <idm@hyperreal.org>; Thu, 9 Oct 1997 09:15:24 -0400 (EDT) Received: (from stained@localhost) by shell1.interlog.com (8.8.5/8.8.5) id JAA01424; Thu, 9 Oct 1997 09:15:04 -0400 (EDT) Date: Thu, 9 Oct 1997 09:15:04 -0400 (EDT) From: Greg Clow <stained@interlog.com> To: idm@hyperreal.org Subject: (idm) ouch... Message-ID: <Pine.BSI.3.95.971009091353.22902A-100000@shell1.interlog.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Sender: idm-owner@hyperreal.org Precedence: bulk This is just waaaaay too fucked up for words...
quoted 46 lines For Immediate Industry Release>For Immediate Industry Release >Oct/97 > >Styles Collide! >Streetsound and Push Records Team Up to Bring You the >Hall & Oates Remix Contest '97 > >New York - Streetsound Magazine and Push Records are proud to present the >Hall & Oates Remix Contest '97, representing two of the most prolific pop >music producers working today. To mark the release of Marigold Sky and to >recognize the explosion of underground music and culture in the '90s, Daryl >Hall and John Oates, platinum masters of the pop airwaves, have personally >selected one of their new album tracks for unrestricted DJ remix treatment >in any underground style. > >What We Want >We're looking for a wide variety of original remix interpretations of a >newly-released Hall & Oates song. Remix styles may include house/club, hip >hop/rap, techno/electronica, reggae/dancehall, freestyle, >jungle/drum'n'bass, industrial/alternative, bhangra, Euro/NRG or any other >rhythm-based, dance-oriented sound. > >What You Win >If our panel of music industry experts selects you as one of the three >winners, you'll receive $500 US and Push will release your mix on >special-edition 12" vinyl along with remixes by Tommy Musto. We'll also >include you in all the publicity surrounding the project. > >How to Enter >Head over to the streetsound website at www.streetsound.com/hallandoates >and fill in the online registration form (you can also fax us at >212.337.1414 or email hallandoates@streetsound.com to request an entry >form). We'll pick 25 contestants and three ultimate winners. Pro >DJ/remixers and absolute beginners are equally welcome. The deadline for >entries is Oct. 31st, so be sure and enter now. Full details are included >on the entry form. > >Push Records is a BMG-distributed label founded by Brian Doyle and Rick Flynn. > >Streetsound is North America's leading authority on DJ culture, publisher >of Streetsound Magazine and Streetsound Online. > >For More Information: >Streetsound Chris Torella: 212.337.1417 >Push Records Glenn Orenstein: 212.486.7707 >
Received: (qmail 8849 invoked by uid 6000); 9 Oct 1997 13:25:16 -0000 Received: (qmail 8834 invoked from network); 9 Oct 1997 13:25:14 -0000 Received: from zircon.merl.com (HELO zircon) (140.237.8.25) by taz.hyperreal.org with SMTP; 9 Oct 1997 13:25:14 -0000 Received: from merl.com (localhost [127.0.0.1]) by zircon (950413.SGI.8.6.12/950213.SGI.AUTOCF) via ESMTP id JAA02481; Thu, 9 Oct 1997 09:23:35 -0400 Message-ID: <343CDAD6.BEE3D65F@merl.com> Date: Thu, 09 Oct 1997 09:23:35 -0400 From: Collin Oosterbaan <collin@merl.com> X-Mailer: Mozilla 4.03 [en] (X11; I; IRIX 6.2 IP22) MIME-Version: 1.0 To: Geoffrey Elgey <elgey@fit.qut.edu.au>, idm@hyperreal.org Subject: Re: (idm) Spooky + Billy? References: <3.0.3.32.19971009181048.00959840@typhoon.dstc.qut.edu.au> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk Geoffrey Elgey wrote:
quoted 9 lines G'day,> G'day, > > I saw a single at the shop yesterday - Spooky + Billy Ray Martin (sp?) - I > think it was called "Persuasion". Is this the same Spooky as in "Found > Sound", "Stereo", etc? I was in a bit of a rush, so I couldn't check it out > much...is it worth picking up? > > Cheers, > Geoff
i think it is, the record is recorded between found sound and spooky's first album "gargantuan" (pick this up too, if you can). Billy Ray has a beautiful voice, the main song is a weird flowing piece of ambience with billy singing over the top. She was first in Electribe 101, who recorded several singles and an album. And there are of course some remixes thrown in. cheers, Collin Received: (qmail 9606 invoked by uid 6000); 9 Oct 1997 13:29:56 -0000 Received: (qmail 9590 invoked from network); 9 Oct 1997 13:29:54 -0000 Received: from unknown (HELO mail.air-water.com) (151.206.1.3) by taz.hyperreal.org with SMTP; 9 Oct 1997 13:29:54 -0000 Received: from ccMail by mail.air-water.com (IMA Internet Exchange 2.1 Enterprise) id 0000D871; Thu, 9 Oct 97 09:28:36 -0400 Mime-Version: 1.0 Date: Thu, 9 Oct 1997 09:29:36 -0400 Message-ID: <0000D871.@air-water.com> From: Colin_Cahill@air-water.com (Colin Cahill) Subject: (idm) discs for trade/sale To: idm@hyperreal.org Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Description: cc:Mail note part Sender: idm-owner@hyperreal.org Precedence: bulk i have a few discs all excellent condition for trade/sale. i prefer to trade, but will sell if i have to. Tricky--maxinquaye $9 FSOL--accelerator $9 Photek--hidden camera $9 Aisha Kandisha's Jarring Effects (Laswell)--shabeesation $9 let me know. Received: (qmail 11224 invoked by uid 6000); 9 Oct 1997 13:52:37 -0000 Received: (qmail 11209 invoked from network); 9 Oct 1997 13:52:34 -0000 Received: from mailhost.dircon.co.uk (194.112.32.10) by taz.hyperreal.org with SMTP; 9 Oct 1997 13:52:34 -0000 Received: from [194.112.57.32] (th-eng10-032.pool.dircon.co.uk [194.112.57.32]) by mailhost.dircon.co.uk (8.8.5/8.8.7) with SMTP id OAA00695 for <idm@qmail.hyperreal.org>; Thu, 9 Oct 1997 14:52:00 +0100 (BST) X-Sender: mkj@popmail.dircon.co.uk Message-Id: <v01540b01b0629f6969fc@[194.112.57.32]> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 9 Oct 1997 14:59:20 +0000 To: idm@qmail.hyperreal.org From: mkj@dircon.co.uk (matthew Keir-James) Subject: Re: (idm) APHEX "ART" & Bjork tidbit Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 12 lines Did anyone get the promo mask with the R.D.J. album? I had already>>Did anyone get the promo mask with the R.D.J. album? I had already >>bought the CD at a different store, when I discover it's an added promo >>item when you purchase the CD at special locations. >> >>It's the face from the cover of the album, with holes for you to see >>through and a string to tie on. I just think it would be a damn cool thing >>to wear and freak out all your friends. Or, maybe be R.D.J. on >>Halloween... =) >> > >>- Bobby >>http://www.jps.net/btribble/
When Aphex played The Clink, (Britains oldest prison, now a museum) last Halloween ... we were all given these masks when we went in ... and inside there were all these waxwork models of people in various stages of torture etc in the ol prison cells, frighteningly REAL some of em! Twas a right weird crowd there tho cos there was all the usual Aphex crowd but then all this Goth posse too in long black capes and white make up, guess they just fancied a bit of 'dungeon action' or summat seein as it was Halloween night! It was all reeally dark and musty smelling with straw & sawdust all over the floor, with all this dry smoke action swirlin everythin into this big hazy fog ... and then with all these Aphex faces grinnin devilishly at you from everywhere, loomin up out of the fog of smoke at you ... it was well fuckin freaky I can tell you and Aphex played from behind the bars of a little cell, whilst the teddies gave it some welly on the little stage, lollopin around everywhere, swipin all the bouncers off da stage with one fell swoop of their paws! tee hee! Twas a totally wicked night and now the Aphex mask is in the music room with a red light behind it sooos you just see these red evil eyes beamin thru the eyeholes, scary shit if you're a bit out of it, late at night, comin in from a club! Aless ps: ohh and for all the mericans out there, there's a 2 page interview on Aphex in this weeks NME. Received: (qmail 23633 invoked by uid 6000); 9 Oct 1997 14:52:26 -0000 Received: (qmail 23512 invoked from network); 9 Oct 1997 14:52:20 -0000 Received: from thenewage.com (HELO www.thenewage.com) (205.186.189.2) by taz.hyperreal.org with SMTP; 9 Oct 1997 14:52:20 -0000 Received: from john.thenewage.com ([205.186.189.90]) by www.thenewage.com (post.office MTA v2.0 0813 ID# 0-29712U110) with ESMTP id AAA203; Thu, 9 Oct 1997 09:35:50 -0400 From: johnb@thenewage.com (John Bush) To: <lwtcdi@lwtcdi.prestel.co.uk>, "IDM" <idm@hyperreal.org> Cc: "Eric Frans" <franse@engr.arizona.edu> Subject: Re: (idm) Skam-uh Date: Thu, 9 Oct 1997 09:37:06 -0400 X-MSMail-Priority: Normal X-Priority: 3 X-Mailer: Microsoft Internet Mail 4.70.1155 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Message-ID: <19971009133550734.AAA203@john.thenewage.com> Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 2 lines This reminds me... Is The Fall going to create more tracks like> > This reminds me... Is The Fall going to create more tracks like > > the cut on the 0161 comp.?
I haven't heard =0161,= but I do have the new Fall album, =Levitate.= There's some noisey/garage breakbeats on the first track, and some more electronics on two or three other tracks, but most of the rest of the album is prime Fall, with the obfuscatory one as indecipherable as ever on lo-fi covers of obscure '60s songs and long rambling tracks that go on way too long. A frustrating, shambling masterpiece. As usual. --------- HipPriest. --------- JohnBush. Received: (qmail 26369 invoked by uid 6000); 9 Oct 1997 14:56:31 -0000 Received: (qmail 26347 invoked from network); 9 Oct 1997 14:56:28 -0000 Received: from gettins.bche.uic.edu (128.248.36.117) by taz.hyperreal.org with SMTP; 9 Oct 1997 14:56:28 -0000 Received: by gettins.bche.uic.edu (931110.SGI/921111.SGI.AUTO) for idm@hyperreal.org id AA03243; Thu, 9 Oct 97 09:35:08 -0500 From: "Mark Bowen" <mb@gettins.bche.uic.edu> Message-Id: <9710090934.ZM3241@gettins.bche.uic.edu> Date: Thu, 9 Oct 1997 09:34:57 -0500 In-Reply-To: "Nate Harrison \[Digital Magician Inc\]" <nate@digimagician.com> "Re: (idm) Papa Plug" (Oct 8, 9:25pm) References: <Pine.BSF.3.95.971008210239.113B-100000@www.webelite.com> X-Mailer: Z-Mail (3.1.0 22feb94 MediaMail) To: "Nate Harrison \[Digital Magician Inc\]" <nate@digimagician.com>, GD <g-d@worldnet.att.net> Subject: Re: (idm) Papa Plug Cc: IDM List <idm@hyperreal.org> Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 Sender: idm-owner@hyperreal.org Precedence: bulk On Oct 8, 9:25pm, Nate Harrison \[Digital Magician Inc\] wrote:
quoted 4 lines Subject: Re: (idm) Papa Plug> Subject: Re: (idm) Papa Plug > > GD wrote: I actually don't understand what the big deal about Jacob's > Optical Stairway is.
quoted 7 lines Please my friend listen to this again. Every now and then someone on this> Please my friend listen to this again. Every now and then someone on this > list asks about JOS; I can't say enough good things about this release. > Way ahead of it's time in terms of succesfully melding lazy loungy jazz > and breakbeat madness. A truly ambient jungle record. Mark and Dego are > mad scientists, and I think JOS is their best full length release. > > Reasons I dig this album: (snip)
quoted 2 lines You might think its boring because it's not a club record; it's not> You might think its boring because it's not a club record; it's not > aggressive, and it does not immediately grab you
I have this record and have listened to it several times since it came out. It has its moments to be sure but often it gets completely lost. Lazy jazz is right, lazy to the point of being pointless. People often talk about how unique this record is and I can't see it. I have lots of DnB from this period and I fail to see how their breaks are any different from what was going on at the time. I honestly think the record is okay, but groundbreaking? hardly. The "ambient" bits seems a polite way to say the track loses its groove and resorts to noodling. I don't mind noodling but lets keep the tune alive. Ambient doesn't have to go nowhere. I'd say its a slightly above average breaks record that at times is brilliant but other times lost. -- Mark Edward Bowen Warmed Breakdown mb@gettins.bche.uic.edu Received: (qmail 14389 invoked by uid 6000); 9 Oct 1997 16:30:27 -0000 Received: (qmail 14361 invoked from network); 9 Oct 1997 16:30:23 -0000 Received: from x2.boston.juno.com (205.231.101.21) by taz.hyperreal.org with SMTP; 9 Oct 1997 16:30:23 -0000 Received: (from tweibrecht@juno.com) by x2.boston.juno.com (queuemail) id MXW23921; Thu, 09 Oct 1997 12:27:46 EDT To: eyeziq@bigfoot.com Cc: idm@hyperreal.org Subject: (idm) Re: idm V1 #1287 Message-ID: <19971009.122825.13287.2.tweibrecht@juno.com> References: <199710040156.SAA11983@hyperreal.org> <3439FC4B.92AE03A4@bigfoot.com> X-Mailer: Juno 1.38 X-Juno-Line-Breaks: 0,2-19 From: tweibrecht@juno.com (thomas m weibrecht) Date: Thu, 09 Oct 1997 12:27:46 EDT Sender: idm-owner@hyperreal.org Precedence: bulk On Tue, 07 Oct 1997 11:09:31 +0200 "Isaac M. Treitel" <eyeziq@bigfoot.com> writes:
quoted 11 lines The music may be good, but I find it repulsive that people can buy>The music may be good, but I find it repulsive that people can buy >Muslimgauze recordings and support a band that consistently uses such >titles as "Vote Hezbollah" in a serious way. It's one thing for an >artist to have extreme political views or to be pro-Palestinian but to >encourage others to support Hamas and Hezbollah- terrorists/murderers >who obviously have no problem with doing such things as blowing up >innocent women and children in pedestrian malls- is disgusting. > >I would appreciate responses that aren't hot-headed. Especially from >fans. I really would like to understand the other side of the coin if >there is one.
"its only rock 'n roll and i like it"...good enough? tom w np: muslimgauze -salaam allekum bastard Received: (qmail 17092 invoked by uid 6000); 9 Oct 1997 16:37:25 -0000 Received: (qmail 17059 invoked from network); 9 Oct 1997 16:37:21 -0000 Received: from roger.interlynx.net (204.50.196.97) by taz.hyperreal.org with SMTP; 9 Oct 1997 16:37:21 -0000 Received: from wolf.interlynx.net (wolf [204.50.196.17]) by roger.interlynx.net (8.7.5/8.7.3) with ESMTP id MAA09036; Thu, 9 Oct 1997 12:36:51 -0400 (EDT) Received: from yourhost.McMaster.CA. (port93.hm.interlynx.net [204.50.192.103]) by wolf.interlynx.net (8.7.5/8.6.12) with ESMTP id MAA13292; Thu, 9 Oct 1997 12:36:50 -0400 (EDT) Message-Id: <199710091636.MAA13292@wolf.interlynx.net> From: "Switch Records" <switch@interlynx.net> To: <313@hyperreal.org> Cc: <idio-audio@lglobal.com>, <idm@hyperreal.org> Subject: (idm) HIMADRI live in Detroit Oct18 Date: Thu, 9 Oct 1997 12:38:30 -0400 X-MSMail-Priority: Normal X-Priority: 3 X-Mailer: Microsoft Internet Mail 4.70.1155 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-2 Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk YES it is true. Himadri will be playing an intimate live set in our beloved city of detroit on Sat. October 18, 1997 at midnight.. For info call 313.438.1668 OR 248.988.1124. Transportation information from Toronto-Detroit. Email-> switch@techno.ca Your Pistol Star <I> / \ / \ / \ /___________\ /___ \ I II IIIIII IIII III OII S W I T C H records http://home.interlynx.net/~switch fax 905 628 1176 ---------- Received: (qmail 24486 invoked by uid 6000); 9 Oct 1997 16:54:38 -0000 Received: (qmail 24423 invoked from network); 9 Oct 1997 16:54:35 -0000 Received: from emout13.mx.aol.com (HELO emout13.mail.aol.com) (198.81.11.39) by taz.hyperreal.org with SMTP; 9 Oct 1997 16:54:35 -0000 Received: (from root@localhost) by emout13.mail.aol.com (8.7.6/8.7.3/AOL-2.0.0) id MAA25254 for idm@hyperreal.org; Thu, 9 Oct 1997 12:53:57 -0400 (EDT) Date: Thu, 9 Oct 1997 12:53:57 -0400 (EDT) From: PLeXitMIND@aol.com Message-ID: <971009125220_1375869595@emout13.mail.aol.com> To: idm@hyperreal.org Subject: (idm) come to mummy Sender: idm-owner@hyperreal.org Precedence: bulk So what do you people think of the come to daddy discs?? I haven't recieved my copy yet and was wondering what i might expect? THANKS ps Anybody know when the come to daddy vid is going to be on tv?/ Received: (qmail 25036 invoked by uid 6000); 9 Oct 1997 16:55:23 -0000 Received: (qmail 25012 invoked from network); 9 Oct 1997 16:55:21 -0000 Received: from news.mtu.edu (root@141.219.70.11) by taz.hyperreal.org with SMTP; 9 Oct 1997 16:55:21 -0000 Received: from mtu.edu (root@mtu.edu [141.219.70.1]) by news.mtu.edu (8.8.7/8.8.7) with ESMTP id MAA10261 for <idm@hyperreal.org>; Thu, 9 Oct 1997 12:55:09 -0400 (EDT) Received: from ginger.hu.mtu.edu (ginger.hu.mtu.edu [141.219.148.40]) by mtu.edu (8.8.7/8.8.7) with ESMTP id MAA18518 for <idm@hyperreal.org>; Thu, 9 Oct 1997 12:55:08 -0400 (EDT) Received: (from wdvanloo@localhost) by ginger.hu.mtu.edu (8.8.5/8.8.7/mturelay-1.2) id MAA12065 for idm@hyperreal.org; Thu, 9 Oct 1997 12:53:21 -0400 (EDT) From: "William D. VanLoo" <wdvanloo@mtu.edu> Message-Id: <199710091653.MAA12065@ginger.hu.mtu.edu> Subject: (idm) dj marathon @ The Shelter saturday To: idm@hyperreal.org Date: Thu, 9 Oct 1997 12:53:21 -0400 (EDT) X-Mailer: ELM [version 2.4 PL24] Content-Type: text Sender: idm-owner@hyperreal.org Precedence: bulk In the vein of Teep's quick blurb: I'll be opening up for Bowery Electric and Main this Saturday at The Shelter, in Detroit. Show begins at 8:00pm, not sure about price or all-ages/over 18. Mail me personally if you need more info. I'll definitely by spinning this-list sort of stuff, though. I'll probably do some squarepusher/afx/plug-ish d-n-b laced with the evil techstep stuff, plus (of course) some straight-up Detroit technosoul (Carl Craig, D. May, etc). Check out future listening via RealAudio tonight for a preview, details in the .sig Bill / dj marathon ps - thanks again grant horne - you're a true IDM head -- future l i s t e n i n g radio show - hosted by dj marathon broadcast in realaudio & on FM every Thursday 10pm-1am EDT realaudio : http://wmtu.resnet.mtu.edu fm broadcast : wmtu 91.9 http://www.hu.mtu.edu/~wdvanloo/personal/ Received: (qmail 3329 invoked by uid 6000); 9 Oct 1997 17:13:24 -0000 Received: (qmail 3304 invoked from network); 9 Oct 1997 17:13:20 -0000 Received: from mailhost.dircon.co.uk (194.112.32.10) by taz.hyperreal.org with SMTP; 9 Oct 1997 17:13:20 -0000 Received: from [194.112.57.218] (th-eng12-218.pool.dircon.co.uk [194.112.57.218]) by mailhost.dircon.co.uk (8.8.5/8.8.7) with SMTP id SAA19131 for <idm@qmail.hyperreal.org>; Thu, 9 Oct 1997 18:13:03 +0100 (BST) X-Sender: mkj@popmail.dircon.co.uk Message-Id: <v01540b00b062d05a1e1f@[194.112.57.32]> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Thu, 9 Oct 1997 18:20:14 +0000 To: idm@qmail.hyperreal.org From: mkj@dircon.co.uk (matthew Keir-James) Subject: Re: (idm) APHEX "ART" & Bjork tidbit Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 6 lines In a message dated 97-10-09 09:52:38 EDT, you write:>In a message dated 97-10-09 09:52:38 EDT, you write: > ><< ps: ohh and for all the mericans out there, there's a 2 page interview on > Aphex in this weeks NME. > >> >Anything interesting in it?
Well, he starts off tellin us all about his new French girlfriend, what a great shag she is! .... lots of funny stories, ... then ends rather alarmingly saying he's bored with makin music! Cripes! Received: (qmail 13400 invoked by uid 6000); 12 Oct 1997 22:31:40 -0000 Received: (qmail 13381 invoked from network); 12 Oct 1997 22:31:39 -0000 Received: from golden.brown.edu (128.148.128.3) by taz.hyperreal.org with SMTP; 12 Oct 1997 22:31:39 -0000 Received: from [128.148.19.32] (cis-ts1-slip12.cis.brown.edu [128.148.19.32]) by golden.brown.edu (8.8.5/8.8.5) with SMTP id SAA26236 for <idm@hyperreal.org>; Sun, 12 Oct 1997 18:31:13 -0400 (EDT) X-Sender: Philip_Sherburne@postoffice.brown.edu Message-Id: <v02130502b0670f0664e3@[128.148.19.32]> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Sun, 12 Oct 1997 18:35:58 -0500 To: idm@hyperreal.org From: Philip_Sherburne@brown.edu (Philip Hugh Sherburne) Subject: Re: (idm) Re: idm V1 #1296 Sender: idm-owner@hyperreal.org Precedence: bulk
quoted 11 lines what the hell is up with the digest?>> what the hell is up with the digest? > >Is it possible that the digest isn't getting sent (I assume thats the >problem) because traffic has been low? > >There's a disgest that gets sent to me as owner of the Whitezone-L, >but it only gets sent every so often, appearently when it hits a >certain size... > >Possibly the case... >
Well, after a day or so with no digest (usually i get 2 or 3 or 4 a day), i just got one this afternoon, but it seems to be a repeat of one from a week or so ago. so something's screwy. p h i l i p h u g h s h e r b u r n e - - - - - - b r o w n u n i v e r s i t y - - - - - - - - - 4 0 1 . 2 7 6 . 0 2 1 8 - - - - - - - - - - - - "everywhere, organized music is traversed by a line of abolition--just as a language of sense is traversed by a line of escape--in order to liberate a living and expressive material that speaks for itself and has no need of being put into a form." --deleuze & guattari Received: (qmail 14570 invoked by uid 6000); 12 Oct 1997 22:37:58 -0000 Received: (qmail 14550 invoked from network); 12 Oct 1997 22:37:56 -0000 Received: from mail1-gui.server.virgin.net (194.168.54.1) by taz.hyperreal.org with SMTP; 12 Oct 1997 22:37:56 -0000 Received: from virgin.net ([194.168.65.212]) by mail1-gui.server.virgin.net (Post.Office MTA v3.1 release PO203a ID# 549-33929U100000L2S50) with ESMTP id AAA22446 for <idm@hyperreal.org>; Sun, 12 Oct 1997 23:37:30 +0100 Message-ID: <344150F0.E0E025A1@virgin.net> Date: Sun, 12 Oct 1997 23:36:32 +0100 From: Wayne <w.billingham@virgin.net> X-Mailer: Mozilla 4.03 [en] (Win95; I) MIME-Version: 1.0 To: idm@hyperreal.org Subject: (idm) mouse on mars References: <19971012204547.24973.qmail@hyperreal.org> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk has anyone heard the new mouse on mars..instrumentals record? Received: (qmail 15493 invoked by uid 6000); 12 Oct 1997 22:41:31 -0000 Received: (qmail 15472 invoked from network); 12 Oct 1997 22:41:29 -0000 Received: from emout18.mx.aol.com (HELO emout18.mail.aol.com) (198.81.11.44) by taz.hyperreal.org with SMTP; 12 Oct 1997 22:41:29 -0000 Received: (from root@localhost) by emout18.mail.aol.com (8.7.6/8.7.3/AOL-2.0.0) id SAA17924 for idm@hyperreal.org; Sun, 12 Oct 1997 18:40:41 -0400 (EDT) Date: Sun, 12 Oct 1997 18:40:41 -0400 (EDT) From: PUCKERED1@aol.com Message-ID: <971012183956_-126103853@emout18.mail.aol.com> To: idm@hyperreal.org Subject: Re: (idm) Cubanate/Front242 Sender: idm-owner@hyperreal.org Precedence: bulk In a message dated 10/12/97 9:11:10 PM, you wrote:
quoted 1 line Cubanate>Cubanate
they have a few CD's out: Antimatter-full length , Metal-EP, Cyberia-full length, Joy-EP (I think) and another full length of which I can not remember...Halabalo I think the METAL EP is about the best... as the others sound like an industrial/ebm Motorhead meets Rogue Male. HEAVY guitar usage. Received: (qmail 22024 invoked by uid 6000); 12 Oct 1997 23:13:56 -0000 Received: (qmail 22005 invoked from network); 12 Oct 1997 23:13:54 -0000 Received: from emout04.mx.aol.com (HELO emout04.mail.aol.com) (198.81.11.95) by taz.hyperreal.org with SMTP; 12 Oct 1997 23:13:54 -0000 Received: (from root@localhost) by emout04.mail.aol.com (8.7.6/8.7.3/AOL-2.0.0) id TAA24902 for idm@hyperreal.org; Sun, 12 Oct 1997 19:13:01 -0400 (EDT) Date: Sun, 12 Oct 1997 19:13:01 -0400 (EDT) From: MultSanta@aol.com Message-ID: <971012191240_1177463824@emout04.mail.aol.com> To: idm@hyperreal.org Subject: (idm) freerange Sender: idm-owner@hyperreal.org Precedence: bulk Could whoever posted the info on the new freerange discs a couple days ago please send them to me or repost them?? sorry for the bandwith. mult. Received: (qmail 22680 invoked by uid 6000); 12 Oct 1997 23:16:15 -0000 Received: (qmail 22659 invoked from network); 12 Oct 1997 23:16:13 -0000 Received: from world.evansville.net (@204.120.16.2) by taz.hyperreal.org with SMTP; 12 Oct 1997 23:16:13 -0000 Received: from evansville.net(really [204.120.24.181]) by world.evansville.net via sendmail with esmtp id <m0xKXEk-000eSkC@world.evansville.net> for <idm@hyperreal.org> ; Sun, 12 Oct 1997 18:15:50 -0500 (CDT) Message-ID: <34415C0D.C27F9868@evansville.net> Date: Sun, 12 Oct 1997 18:23:57 -0500 From: FreyGuy <kevfrey@evansville.net> Reply-To: kevfrey@evansville.net Organization: Lampin' for Real X-Mailer: Mozilla 4.02 [en]C-DIAL (WinNT; U) MIME-Version: 1.0 To: Identifiable Dancing Mischief <idm@hyperreal.org> Subject: Re: (idm) vibert URL References: <3.0.3.32.19971012172621.006d0ad4@titan.vcu.edu> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: idm-owner@hyperreal.org Precedence: bulk Why, of course you need Mr. Horne's site!! http://www.geocities.com/SunsetStrip/Alley/9242/ Kev. ++++++++++++++++++++++++ wells wrote:
quoted 11 lines is phat lab nightmare out of print? also.. what's a good vibert URL? i> is phat lab nightmare out of print? also.. what's a good vibert URL? i > can't recall that geocities one. > > thanks. > > np. plug 'life of the mind' > > ------------------------------------------------- > wells oliver : s0ewoliv@titan.vcu.edu > "perhaps all pleasure is relief" : w.s.b. > -------------------------------------------------
-- FreyGuy <Everyday is Freyday> Network/Notes Administrator Hansen Corporation *kevfrey@evansville.net kfrey@hansen-motor.com http://www.evansville.net/~kevfrey/ Rule #8 from the Horror Movie Character's Survival Guide: "As a general rule, don't solve puzzles that open the portals to hell."